Instead of standard gold and silver, opt for a deeper, more sophisticated metallic eye, like the burnished take at Andrew GN A/W 2013. "The look is very late 1920s-inspired, and the tone of the bronze looks marvelous in the evening light," says Guilis. To achieve the look yourself, use a flat medium brush (2.) to place a slate grey shadow (like the left shadow in Set, 4) on the lids and gently fan out. "If you don't want to carry the dark pigment all the way to the brow, bring it just past the crease," suggests Guilis. Top with a bronze (1. ) for sparkle—press first onto the inner corners of the lids, then gently blend out to the lid.
"I love everything about this beautiful and fresh look for the holidays," says Guilis of the stunning 1950s-inspired face from Beccaria A/W 2013. Create big, bright eyes with a faux lash (, 3) and offset with a cheery red stain, (1). "If you want the pigment to stay on all night, top with a thicker gloss to hold shine and depth," says Guilis. Try (2).
Spotted: the perfect sultry, feather-fumed eye at Roberto Cavalli A/W 2014. Begin the look by rimming a smudgy kohl liner such as (2) onto both lash lines. "Really press the pigment close to the lashes, you want it to cover everything," advises Guilis. After, smudge out the black liner in small, painterly strokes using a stiff, flat brush—try not to bring the shape out too low or high. Keep the skin semi-matte with (1) and finish with a creamy, unassuming nude lip (, 3).
A cranberry eye is rich alternative to the classic smokey eye—and deceptively flattering on everyone. "The look is all about the pigment, shine and texture of the color—the trick is the keep layering and varying the shadow until you get the depth you want," explains Guilis. First, use a medium crease brush such as (1), to create the shape of the shadow around the eye (Guilis recommends MAC Cranberry Eye Shadow), then extend that color underneath the lids with a smaller brush. To achieve the look's high beam complexion—first apply (2) on the nose, under the eyes, chin and forehead, then blend the pigment out onto the skin using (3).
"A bold choice," admits Guilis on the high-impact of fuchsia and graphic eye applique at Manish Arora (try , 3, for the lip). Experiment with the eye your own; trace a rectangular shape on the lids with a pale grey shadow (, 1) and clean up any uneven edges with a Q-Tip. Cut small strips of iridescent cellophane, and glue onto lids using (2). Oh, and that awesome nail art? Highly encouraged.
Pull out the Warby's—we've only got eyes on this playful yet put-together take on color for glasses wearers. "There's a great distinct contrast to the lip—but it's beautifully done," says Guilis. For warmth and definition to the face, enhance the brow with a warmer tone; (2) works well. Pop a sheer coral-red (, 3) on lips, and add a flash of (1) pastel along the lash line for an unexpectedly cool and eye-catching dash of color behind your frames.
When in doubt, paint the town red—especially in this tomato-hued lip from Ohne Titel A/W 2013. "It's a timeless, classic look—one of my favorite ever, actually" admits Guilis. To achieve a foolproof finish all night long, she recommends an all-in-one lip pencil to slip in your purse, such as (3). "It has these wonderful orange tones, it goes on easy, and a little goes a long way to outline and fill in the lip," she explains. Infuse a similar texture throughout the look; in soft-focus skin (, 2) and a subtle shimmer at the inner corners (, 1).
"This look is so dramatic but still soft and pretty," Guilis says of the monochromatic lilac lids so loved at Rebecchi last season. To make the look your own, apply a purple duochrome pigment such as (3) from lash line to the edge of the brow. "To give the shadow a clean line at the corners, use a Q-Tip to clean up the edge at a 45-degree angle," Guilis suggests. Finish lips with a balm for moisture and shine (, 1). Keep the apples of the cheeks color-free and let the eyes shine by buffing cheeks in a golden tone of bronze (, 2).